‘The Kidnappers Foil,’ a Local-Talent National Treasure - NYTimes.com: Beginning in the 1930s the Texas-born filmmaker Melton Barker spent nearly four decades scurrying across America with a script and a camera, methodically making and remaking the same two-reel film. This might seem like a story of creative obsession — a compulsive monomaniac so intent on achieving aesthetic perfection that he became subsumed by his work — but Barker, one of at least several itinerant filmmakers working in the first half of the 20th century, was more huckster than auteur.
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