
Plummer’s characters share a keen sense of the loss that comes from distance both figurative and literal. In “Happy Hour,” Olivia grapples with her mother-in-law’s death, and in “To Visit the Cemetery,” she visits her parents’ grave in Mexico City, where she seeks reconciliation with her sister, who has remained in their native land. Andi, an architecture student in New York, struggles to connect to the friends and neighbors she’s left behind, including her best friend, a Filipina bent on finding love in the club scene, and Andi’s almost-sweetheart, a musician doctor-to-be torn between affections. When distances are closed between characters, the emotion and passion is explosive and honest."
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