Showing posts with label vintage paperbacks. Show all posts
Showing posts with label vintage paperbacks. Show all posts

Friday, November 14, 2014

FFB: Comanche Vengeance -- Richard Jessup

Comanche Vengeance is one of the books I bought back in August at Kayo Books in San Francisco.  When I read it the other day, I was struck by the similarity of the plot to a book I wrote, Outrage at Blanco.  The revenge plot is common in western fiction, but it's unusual to have a woman as the vengeance seeker, which is the case here.  The woman in the book is nothing like Ellie Taine in my own novel, and things certainly don't turn out the way they do in my book, but there's at least a superficial similarity.

Sarah Phelps hits the vengeance trail after her husband and young children are killed by a band of Comanches.  The daughter is also raped.  But for some reason, Sarah is spared.  We never do learn why, though she wonders about it briefly at the beginning.  Trained by her father, Phelps is fast on the draw and deadly accurate with pistol and rifle (don't ask me where she got that dress and rifle on the cover to the left; nothing like that is in the novel, and the rifle's nothing like the ones used in the book).  She meets a man named Gibson Duke, who immediately falls for her and decides to aid her in her quest for revenge.  She makes it clear that she doesn't want him around, but he doesn't give up.  She eventually accepts him, but she's the one running the show.

Phelps and Duke have plenty of troubles on their journey -- bad white men, bad Indians, bad weather -- but they persevere.  Phelps reflects on her desire for revenge more than once, but she never gives it up.  She's one tough woman, believe me.  Duke is something of a tough guy, himself, but he's not as tough as she is.  This isn't a great book, but it's a good one, and at only 126 pages it packs in more plot and action than many two or three times as long.  Check it out.

Friday, October 24, 2014

FFB: Rider from Wind River -- Marvin H. Albert

I've expressed my enjoyment of Marvin H. Albert's work in several genres before, so it will come as no surprise to anybody that I really liked Rider from Wind River.  I liked it a lot.  In fact, it's my new favorite Albert western.  Why?  Because it's only 128 pages long, and it has everything.

Everything?  You might think I'm exaggerating, but I'm not.  It has a man wrongly accused of murder who's searching for the real killer so he can clear his name.  It has a love story.  It has a cattle drive.  It has a well-drawn setting.  It has a stampede.  It has one of the best fist-fight scenes I've read in years.  It has the expected climactic gun battle, and it's really done well.  It has any number of little twists in the plot along the way.  It's pure entertainment and highly recommended.

Friday, October 10, 2014

FFB: Paperback Forum Issue #2 1985


This is another little zine I found not too long ago while rummaging through a neglected shelf. 

As hard as it is for a geezer like me to believe, some of you are probably so young that you don't remember the days before the Internet, the days when information about old paperbacks wasn't easily available, when you couldn't go to Bookscans and see just about every vintage paperback cover there ever was, when instead of searching through little out-of the-way thrift shops for years for that elusive book, you could click on Abebooks and find any title you were looking for, make another click and buy it.  

What we had in those olden times was zines like Paperback Forum, although this one came along a bit late in the game.  It was quite professionally produced, and it had a lot of B&W photos of paperback covers in addition to the articles.  

Probably the most interesting thing in this issue, and still of interest to anybody into paperbacks, is an interview with Knox Burger, conducted by Jon White.  I don't have to tell you, I'm sure, that Burger quite a career in publishing, especially as an editor at Gold Medal and Dell.  Piet Schreuders has an article on Bantam Books.  Geoffrey O'Brien has a review of Goodis: LaVie en Noir et Blanc, available at the time only in French and which has only just this year been translated for those of us cretins who don't read that language (that's Goodis on the cover, as you can see).  Barry Kaplan's article is  on paperback novels about homosexuality.  And of course there's other good stuff including Michael Barson's review of a couple of books about Dell.

It's hard to explain to someone who wasn't around what a thrill it was to get a copy of one of these zines in the mail, but, trust me, it was.  I still get a little tingle even now when I thumb through one of them.  

Friday, January 18, 2013

Thursday, January 17, 2013

Monday, February 14, 2011

Saturday, February 12, 2011

Friday, February 11, 2011

Forgotten Books: The Naked Year -- Philip Atlee

This is the Lion Books edition of Philip Atlee's 1940 novel The Inheritors. I'm not sure if it was published originally under the Atlee name or under Atlee's real name, James Atlee Phillips. As Philip Atlee, as we all know, he went on to write the Joe Gall series for Gold Medal.

As you can tell from the cover, The Naked Year isn't a crime novel. It's a straight novel, sort of a hardboiled Gatsby, set in Fort Worth, Texas. When this book was published, Texas had just become an urban state, with more people living in cities t
han on farms. Writers many years later were still complaining about the fact that Texas writers continued to about the state as if it were rural (some of us are still doing that) instead of tackling the stories of people in the big urban environments. This book was way ahead of its time, according to A. C. Greene, who gave it a coveted spot in his 50 Best Books about Texas.

There's plenty of sensationalism if that's what you're looking for. Lots of drinking, sex (nothing overt), and abortion (sensational for the time the book was published, for sure). Excellent writing, and at least one truly disturbing scene when the thrill-seeking youth go out to the local city dump to shoot rats at night.

Anybody interested in Atlee's work in the Joe Gall books should certainly take a look at this one to see where Atlee started.