Mystery Writers of America is proud to announce, as we celebrate the 200th anniversary of the birth of Edgar Allan Poe, its Nominees for the 2009 Edgar Allan Poe Awards, honoring the best in mystery fiction, non-fiction, television and film published or produced in 2008. The Edgar® Awards will be presented to the winners at our 63rd Gala Banquet, April 30, 2009 at the Grand Hyatt Hotel, New York City.
BEST NOVEL
Missing by Karin Alvtegen (Felony & Mayhem Press)
Blue Heaven by C.J. Box (St. Martin's Minotaur)
Sins of the Assassin by Robert Ferrigno (Simon & Schuster - Scribner)
The Price of Blood by Declan Hughes (HarperCollins – William Morrow)
The Night Following by Morag Joss (Random House – Delacorte Press)
Curse of the Spellmans by Lisa Lutz (Simon & Schuster)
BEST FIRST NOVEL BY AN AMERICAN AUTHOR
The Kind One by Tom Epperson (Five Star, div of Cengage)
Sweetsmoke by David Fuller (Hyperion)
The Foreigner by Francie Lin (Picador)
Calumet City by Charlie Newton (Simon & Schuster - Touchstone)
A Cure for Night by Justin Peacock (Random House - Doubleday)
BEST PAPERBACK ORIGINAL
The Prince of Bagram by Alex Carr (Random House Trade)
Money Shot by Christa Faust (Hard Case Crime)
Enemy Combatant by Ed Gaffney (Random House - Dell)
China Lake by Meg Gardiner (New American Library – Obsidian Mysteries)
The Cold Spot by Tom Piccirilli (Random House - Bantam)
BEST FACT CRIME
For The Thrill of It: Leopold, Loeb and the Murder that Shocked Chicago by Simon Baatz (HarperCollins)
American Lightning: Terror, Mystery, the Birth of Hollywood, and the Crime of the Century by Howard Blum (Crown Publishers)
Havana Nocturne: How the Mob Owned Cuba and Then Lost It To The Revolution by T.J. English (HarperCollins – William Morrow)
The Man Who Made Vermeers: Unvarnishing the Legend of Master Forger Hans van Meegeren by Jonathan Lopez (Harcourt)
The Suspicions of Mr. Whicher by Kate Summerscale (Walker & Company)
BEST CRITICAL/BIOGRAPHICAL
African American Mystery Writers: A Historical and Thematic Study by Frankie Y. Bailey (McFarland & Company)
Hard-Boiled Sentimentality: The Secret History of American Crime Stories by Leonard Cassuto (Columbia University Press)
Scene of the Crime: The Importance of Place in Crime and Mystery Fiction by David Geherin (McFarland & Company)
The Rise of True Crime by Jean Murley (Greenwood Publishing – Praeger)
Edgar Allan Poe: An Illustrated Companion to His Tell-Tale Stories by Dr. Harry Lee Poe (Sterling Publishing – Metro Books)
BEST SHORT STORY
"A Sleep Not Unlike Death" - Hardcore Hardboiled by Sean Chercover (Kensington Publishing)
"Skin and Bones" – Alfred Hitchcock Mystery Magazine by David Edgerley Gates (Dell Magazines)
"Scratch of a Woman" - Hardly Knew Her by Laura Lippman (HarperCollins – William Morrow)
"La Vie en Rose" - Paris Noir by Dominique Mainard (Akashic Books
"Skinhead Central" - The Blue Religion by T. Jefferson Parker (Hachette Book Group – Little, Brown and Company)
BEST JUVENILE
The Postcard by Tony Abbott (Little, Brown Books for Young Readers)
Enigma: A Magical Mystery by Graeme Base (Abrams Books for Young Readers)
Eleven by Patricia Reilly Giff (Random House Children's Books – Wendy Lamb Books)
The Witches of Dredmoore Hollow by Riford McKenzie (Marshall Cavendish Children's Books)
Cemetary Street by Brenda Seabrooke (Holiday House)
BEST YOUNG ADULT
Bog Child by Siobhan Dowd (Random House Children's Books – David Fickling Books)
The Big Splash by Jack D. Ferraiolo (Harry N. Abrams Books – Amulet Books)
Paper Towns by John Green (Penguin Young Readers Group – Dutton Children's Books)
Getting the Girl by Susan Juby (HarperCollins Children's Books - HarperTeen)
Torn to Pieces by Margo McDonnell (Random House Children's Books – Delacorte Books for Young Readers)
BEST PLAY
The Ballad of Emmett Till by Ifa Bayeza (Goodman Theatre, Chicago, IL)
Dr. Jekyll and Mr. Hyde adapted by Jeffrey Hatcher, based on the story by Robert Lewis Stevenson (Arizona Theatre Company)
Cell by Judy Klass (International Mystery Writers' Festival)
BEST TELEVISION EPISODE TELEPLAY
"Streetwise" – Law & Order: SVU, Teleplay by Paul Grellong (Wolf Films/NBC Universal)
"Prayer of the Bone" – Wire in the Blood, Teleplay by Patrick Harbinson (BBC America)
"Signature" – Law & Order: SVU, Teleplay by Judith McCreary (Wolf Films/NBC Universal)
"You May Now Kill the Bride" – CSI: Miami, Teleplay by Barry O'Brien (CBS)
"Burn Card" – Law & Order, Teleplay by David Wilcox (Wolf Films/NBC Universal)
BEST MOTION PICTURE SCREENPLAY
The Bank Job, Screenplay by Dick Clement & Ian La Frenais (Lionsgate)
Burn After Reading, Screenplay by Joel Coen & Ethan Coen (Focus Features)
In Bruges, Screenplay by Martin McDonagh (Focus Features)
Tell No One, Screenplay by Guillaume Canet, based on the book by Harlan Coben (Music Box Films)
Transsiberian, Screenplay by Brad Anderson & Will Conroy (First Look International)
ROBERT L. FISH MEMORIAL AWARD
"Buckner's Error" - Queens Noir by Joseph Guglielmelli (Akashic Books)
GRAND MASTERS
James Lee Burke
Sue Grafton
RAVEN AWARDS
Edgar Allan Poe Society, Baltimore, Maryland
Poe House, Baltimore, Maryland
THE SIMON & SCHUSTER - MARY HIGGINS CLARK AWARD
Sacrifice by S.J. Bolton (St. Martin's Minotaur)
The Killer's Wife by Bill Floyd (St. Martin's Minotaur)
Stalking Susan by Julie Kramer (Random House - Doubleday)
A Song for You by Betsy Thornton (St. Martin's Minotaur)
The Fault Tree by Louise Ure (St. Martin's Minotaur)
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Friday, January 16, 2009
Congratulations to the Edgar Nominees!
The 2009 Edgar® Award Nominees are...
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10 comments:
Bill, thanks for posting the list!
Proving yet again how out of sync I am with the Edgar voters, at least in the top two categories.
Jeff
I've read two only, Faust and Piccirrilli.
Another list you're not on.
RSW
Well, let's put it this way...any awards list that includes a CSI: MIAMI script and ignores THE WIRE and LIFE or even BURN NOTICE is clearly being put together by people who aretn't really paying attention.
I've been known not to appreciate the best of things before, but just what do people find in C. J. Box? I've honestly tried to enjoy his books, but - please, I'm being honest and forthright, here - someone please help understand what he's doing that others aren't or where his expertise lies. I just see weak, surface narrative whenever I read his books. But I'd probably be like that guy who denounced Nabokov as pornography and let France publish _Lolita_ as a greenbook (erotica for those not in the know) and lost the contact and publishing rights to a marvelous piece of literature as well as my intellectual integrity.
- Lawrence
Let's just say there are some interesting selections. I like some of them and don't know about the others because I'm not familiar with them.
CSI:Miami but no Wire nominations? These people don't get cable?
And no Ian Rankin, Michael Connelly or George Pelecanos who all wrote books this year that are better than most on the list.
Well, Steve, they don't watch the clever LIFE on NBC, either. However, I suspect they tend to spell better than "aretn't"...I do give the ?other? jury credit for selecting Christa Faust's novel. It is an impressive list of things I haven't read, or plays and films I haven't seen save TELL NO ONE.
Pelecanos is so good that even the audio abridgements are good.
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